Deconstructing Aromale

Music, as it goes, a meandering waterbody, sometimes a river, sometimes a stream, sometimes an ocean, connected and yet not, in a melange of notes and rhythms, caught in a gurgle of sounds....yet, like picking up a handful in the seashore and measuring where the little drops come from....is a challenge, is a joy!
Here's what I heard last night...


And memories came tumbling on the possible influences that A.R.Rahman may have had (and probably did) in coming up with clearly a work of world music embedded in a connected world.
Here are some I could smell...
Watch the guitar plucks and the humming here.


And then go on to how Black American music retained and lost its identity in a brilliant lecture-demo chat by Ali Farka Toure



Go back now, and listen to a raga alaapana (aalap) by Shreya Ghoshal) in reprise of the original Aromale



And catch the original, purer, raaga here....more subtle..and yet in a clearer etching of the tones that make up the raga, with the gravitas of the veena



Go on to the jazz influence back again....this time Reethi Gowla (with a touch of other ragas in the free fusion) acquires a majestic flow in the guitarwork of John McLaughlin...but watch the violin as you ago along




If you had listened to the violin, you could catch the final snatches of Shreya Ghoshal's alaapana mixing with the violin. And in the stepped-up chord, accompanied by the orchestral arrangements, I could catch a glimpse of the Moody Blues classic, Nights in White Satin.



Catch a handful of water on the seashore. Measure where they come from.

Catch again the chorus of a crescendo in Aromale. There is now Abba's Eagle.



Soar, like the Eagle. Soar, like the breeze coming from the mountains that Aromale talks of. The majestic bird becomes the Beloved!